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How Chicago Are You? is an evening discussion that will explore the role of place in the production of creative works. Intended to provoke questions about the existence of a regional style, Chicago based practitioners from the fields of art, architecture, cartooning, design and music have been invited to present a selection of images that represent their perceptions about the strengths and pitfalls of the city in which they live and work. Through analysis and conversation, the group will explore whether location has led to trends in artistic production. Panelists include Eve Fineman, Pamela Fraser, Geoff Goldberg, Jimenez Lai, Alex Lehnerer, Damon Locks, Todd Mattei, Anders Nilsen, Robert Somol, and Dan Wheeler. The panel will be moderated by Paul Preissner.
EVE FINEMAN received her B.A. Cum Laude in Architecture from Washington University in St. Louis. After interning at the Smithsonian’s office of Exhibit Design and Production, she shifted her focus to interior environments and furniture design. She moved to Chicago in 1996 to pursue an MFA in Interior Architecture from the School of the Art Institute of Chicago on a full merit scholarship. There she explored the relationships between furniture, sound and the body through architectural installations and experimental furniture. Fineman is Associate Professor of Design at the Illinois Institute of Art, Chicago, where she has been teaching full-time since 2002.
PAMELA FRASER is an American painter. She received her BFA in painting (1988) from the School of Visual Arts in New York and her MFA in New Genres (1992) from UCLA. She has exhibited nationally and internationally and is represented by Casey Kaplan Gallery in New York. Fraser’s solo exhibitions include Galerie Schmidt Maczollek in Cologne, Galleria Il Capricorno in Venice, Asprey Jacques in London, Vedanta Gallery in Chicago, and Casey Kaplan in New York.
GEOFF GOLDBERG has practiced in complex urban and architectural projects for 25 years. A native Chicagoan, he has been teaching design and technology at UIC since 1994. He founded his office in 1992 engaging both architecture and urban design projects. Geoff has an M.Arch. from Harvard University’s Graduate School of Design (1982), a BA from the University of Chicago (1977). He has worked in the offices of I.M. Pei, Bertrand Goldberg, and the Mayor of Chicago, and is currently working on publications on Marina City and mid-20th century Italian mechanical engineering.
JIMENEZ LAI is currently Clinical Assistant Professor at University of Illinois at Chicago. He graduated with an M.Arch. from University of Toronto. Previously, Lai lived and worked in a desert shelter at Taliesin, AZ, and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Lai has received mentions in competitions in Japan, Europe and the US. Professionally, Lai has worked for MOS, AVL, RE X, OMA /Rem Koolhaas in Rotterdam and New York. In spring, 2011 he exhibited a large scale installation in LOT Gallery in Louisville, Kentucky.
ALEX LEHNERER is an architect and urban designer, received his PhD from the ETH in Zurich and is currently based in Chicago where he holds a position as Assistant Professor at the University of Illinois, School of Architecture. He is partner of Kaisersrot in Zurich, CH, and ALSO Architekten, and the director of the Department of Urban Speculation in Chicago. While appreciating the city as a panoramic projection, his practice explores urban and architectural conditions - their forms, ingredients and rules. This is done both in an academic and professional environment.
alexlehnerer.com
DAMON LOCKS is the frontman for the band the Eternals, creates digital prints, silkscreens and relief prints that play with two sides of “invisibility,” depicting neglected urban spaces, overlooked perspectives and marginalized people, while also envisioning cities not yet visible. Some of his images recombine elements of Chicago, putting train tracks, buildings and buses in new and provocative relations. Locks’ printing process gives these pieces the scabrous texture of cracking brick and concrete, while the hues—in everything from faded walls and smudged “newsprint” to supersaturated skies—endow them with an aura of nostalgia for things to come. From desolate to populous, disconsolate to euphoric, the cityscapes and inhabitants imagined here provoke questions about race, urban planning, and socioeconomic disparity, all oriented around a hope summed up in the words emblazoned on one print: “Tomorrow starts today.”
TODD MATTEI is an artist and musician. He received his MFA in Film/Video/Animation with Honors from Unniversity of Illinois at Chicago in 2005. His individual and collaborative art work has been exhibited in Chicago and the US since 2003. He was a member of the Chicago band Joan of Arc and has produced video and music pieces for film and commercial videos.
ANDERS NILSEN is a popular artist and graphic novelist who grew up in Minneapolis and lives in Chicago, IL. He works on an ongoing comic series, Big Questions (Drawn and Quarterly), which has been nominated several times for the Ignatz Award. In addition, his comics have appeared in the anthologies Kramers Ergot and Mome. His graphic novel Dogs and Water won an Ignatz Award in 2005. An excerpt from Dogs and Water was featured in the inaugural 2006 edition of the Best American Comics anthology, and the book was expanded and reissued in hardcover in 2007. Other, more recent works include a graphic memoir, Don't Go Where I Can't Follow and a comic The End.
ROBERT SOMOL was appointed Director of the School of Architecture at the University of Illinois at Chicago in 2007. An internationally recognized design theorist, Somol was most recently Professor in the Knowlton School of Architecture at Ohio State University and Visiting Professor at the Princeton School of Architecture, and taught design and theory at the University of California, Los Angeles, from 1997-2005. He has served as the Max Fishman Visiting Professor at the University of Michigan and the Cullinen Professor at Rice University, in addition to teaching at Columbia University's GSAPP and Harvard's Graduate School of Design. Somol is the editor of Autonomy and Ideology (Monacelli Press, 1997) and has served on the editorial boards of Any and Log. His writings have appeared in publications ranging from Assemblage to Wired, and focus on modernism and its modes of repetition, the emergence of the diagram in postwar architecture, landscape and interior urbanism, and the development of graphic or cartoon protocols within contemporary architectural practices. He is the co-designer of "off-use," an award-winning studio and residence in Los Angeles that extends his interest in combining the speculative discipline of modernism with the material excesses of mass culture: beinahe nichts meets la dolce vita. As an architectural designer, writer and educator, Somol is a central figure in efforts to displace architecture's modes of criticality by a renewed engagement with the projective ambitions of the discipline. His collection of essays, Nothing to Declare, is forthcoming from ANY Books and the MIT Press, and he is a member of the Research Board of the Berlage Institute in Rotterdam.
DAN WHEELER, FAIA has taught as an Adjunct Associate Professor within the School of Architecture since 1992, being elevated to Associate Professor in 2001. He teaches design, building science, drawing, and design/build. He served as the Interim Director of the school from 2006-7. He is co-author with Clinical Associate Professor Bill Worn of the schools integrated design/building science curriculum. He is past Interim Director of the Graham Foundation for Advanced Studies in the Fine Arts, and remains on the Advisory Board of the Chicago Architecture Club and the Marwen Foundation. Professor Wheeler lectures both nationally and abroad. Wheeler is a practicing architect and is a principal of the Chicago firm Wheeler Kearns Architects. Work of the firm is regularly in print, including the monograph Wheeler Kearns Architects, Ten Houses (1999).
PAUL PREISSNER is an architect and teacher, receiving his undergraduate education in architecture from the University of Illinois and his M.Arch. from Columbia University in New York. He worked for Peter Eisenman, Philip Johnson and Skidmore Owings and Merill, before establishing his own office in 2006. Currently, he is Assistant Professor and the Coordinator of the Master of Architecture program at the University of Illinois at Chicago. His professional practice has developed an international profile through a recognized œuvre of commissioned and competition projects, all of which explore design’s highly visual relationship with its audience. In 2006 he was awarded the second prize in the international open competition to design the Museum of Korean Pre-History in the Gyeonggi-do Provence of South Korea. His architectural work been published and exhibited worldwide and is part of the permanent collection of the Art Institute of Chicago. He and his wife live in Chicago with their dog, Klaus.
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