4 West Burton Place
Chicago, Illinois 60610
Khecari Dance Company is a Chicago-based contemporary dance company whose original, movement-based works are notable for their power, idiosyncrasy, and resonance. On August 21, Khecari Dance Company will present their newest work-in-progress—Orders from the Horse—an immersive, site-specific dance performance that will activate multiple rooms in the Graham Foundation’s turn-of-the-century Madlener House. Crafting different environments to frame various perceptual states, dancers will negotiate a landscape pocked with dips, rises, and eddies; falling in, through, or past each other’s wake as they move. Orders From The Horse will be performed by artistic directors Julia Antonick and Jonathon Meyer, with Lighting Design by Rachel K. Levy, and percussion by Joe St. Charles.
Julia Antonick, Khecari’s co-artistic director since 2010, is a dancer and choreographer whose work emphasizes kinetics, filigree, and partnering work. Since 2007, she has been immersed in an ongoing collaboration with her partner Jonathan Meyer, an ongoing investigation of duet-based movement forms. Antonick graduated from the Chicago Academy for the Arts with the Dance Department’s Award of Excellence, and received her BFA in dance from CalArts. She has received choreographic residencies at Djerassi, Ragdale, Links Hall (LinkUp), the Chicago Cultural Center (DanceBridge), and the Storefront Theater. She has received grants from the Chicago Department of Cultural Affairs, Illinois Arts Council, Richard H. Driehaus Foundation, Chicago Seminar on Dance and Performance, The Weasel Fund, Community Arts Assistance Program, and was awarded the Chicago Dancemakers Forum Lab Artist Grant for 2009/2010.
Jonathan Meyer is Co-Artistic Director of Khecari. A gymnast in high school, Meyer discovered dance at Oberlin College in 1990. After a capoeira immersion in Brazil with Maestre Medicina, he returned to college to receive an undergraduate degree in dance from the University of North Carolina at Greensboro. Jonathan has spent time in Montreal, Utah, Amsterdam, and New York, alternating between the dance world and work with at-risk youth in wilderness therapy programs. In 2002, he founded Khecari in Taos, New Mexico, before relocating to Chicago in 2006. Shortly thereafter he began an intensive collaboration and partnership with Julia Rae Antonick, with whom he currently runs the company. Meyer has been a Chicago Dancemakers Forum Lab Artist, an artist in residence at Djerassi and Ragdale Foundations and through LinkUp and DanceBridge in Chicago, and has received support from the Illinois Arts Council and the Chicago Department of Cultural Affairs and Special Events.
Rachel K. Levy is lighting designer for Khecari. Levy’s work has been seen on actors, dancers, musicians, and other performers throughout the US. Highlights include: Piedra de Sol (Getty Villa, Los Angeles, CA); LA Grand Ensemble (Los Angles, CA); Vitality (Dance Alliance, Los Angeles, CA); Beware (Bootleg Theatre, Los Angeles, CA); Patty: The Revival (Highway Theatre, Santa Monica, CA); Antiman, Where’s My Money (Michele Lonsdale Smith Productions, Los Angeles, CA); and Unroute (Michaelopolous Studio, New Orleans, LA). Additionally, Rachel has received two Primetime Emmy Award Certificates for Best Lighting for a Variety, Music, or Comedy Show (So You Think You Can Dance 2011, 2012), and holds an MFA in Production and Design from California Institute of the Arts and a BFA in Dance from Tulane University.
Joe St. Charles is a percussion composer, performer, improviser and teacher who has been working in Chicago since 2001. He has performed at various galleries, music venues, festivals, and institutions throughout the city including The Chicago Cultural Center, Links Hall, Pritzker Pavilion, Curtiss Hall, The Museum of Contemporary Art and the Ruth Page Center for Dance as well as commissioned performances at The University of Chicago and The Dance Center at Columbia College Chicago. Joe also releases percussion recordings under the name Owleater, and teaches students both young and old on Chicago’s north side.
Image credit: William Frederking
As part of Chicago Design Week, Ellen Alderman, Managing Director of Public Programs will give a tour of the exhibition Lina Bo Bardi: Together, which presents the extraordinary work and legacy of the Italian-born Brazilian architect, furniture and set designer, curator, illustrator, and editor Lina Bo Bardi.
Featuring new works by artist Madelon Vriesendorp, filmmaker Tapio Snellman, and photographer Ioana Marinescu, this exhibition endeavors to inspire new conversations around Lina Bo Bardi’s work. It brings to life the experience of Bo Bardi’s buildings and her inclusive approach to design, which aimed to dispel aesthetic and social hierarchies and embraced the texture and diversity of her adopted Brazil. Additionally, the exhibition includes three of Arper’s recent limited edition of Bo Bardi’s Bowl Chair, which was originally designed in 1951, but never manufactured until now.
The event is free and open to the public.
In conjunction with our current exhibition Lina Bo Bardi: Together, the Graham Foundation, with Arper, is pleased to host the U.S. launch of the Bardi’s Bowl Chair. Join us on Monday, June 15, for a reception featuring opening remarks by Susan Szenasy, Editor-in-Chief of Metropolis, and Claudio Feltrin, CEO of Arper.
Originally designed by Lina Bo Bardi in 1951, Bardi’s Bowl Chair has been produced by Arper, in partnership with the Instituto Lina Bo e P. M. Bardi in Sao Paulo, in a limited edition of 500.
Photo by: Marco Covi.
For more information on the exhibition, Lina Bo Bardi: Together, click here.
Australian drummer and percussionist Will Guthrie will present his powerful solo percussion work in a rare U.S. appearance at the Graham Foundation on Saturday, June 13.
Will Guthrie is an Australian drummer and percussionist living in France. He works in many different settings of music: live performance, improvisation, and studio composition, using various combinations of drums, percussion, objects, junk, amplification, and electronics. In addition to his solo work, Guthrie plays in The Ames Room (with Jean-Luc Guionnet and Clayton Thomas), Elwood & Guthrie (with Scott Stroud), and Thymolphthalein (with Anthony Pateras, Natasha Anderson, Clayton Thomas and Jérôme Noetinger). He also runs Antboy Music—the experimental improvised CD label—and is part of the collective CABLE#. Regular collaborators past and present include Jean-Philippe Gross, Julien Ottavi, Jérôme Noetinger, Jean-Luc Guionnet, Keith Rowe, David Maranha, and Anthony Pateras.
This performance is presented in partnership with Lampo. Founded in 1997, Lampo is a non-profit organization for experimental music and intermedia projects. Visit www.lampo.org.
Please Note: RSVP is required, and event entry is on a first-come, first-serve basis, so please plan to arrive early. Doors will open at 7:30PM.
On May 27, the Graham Foundation will announce its 2015 Grants to Individuals with a public presentation and reception at 6pm CDT at the historic Madlener House in Chicago. During this special program, which will be broadcast online via live streaming, we will announce over $490,000 in grants to individuals around the world to support new and challenging ideas in architecture. The event will also include presentations by a selection of our new grantees about their Graham-supported work in progress.
Join us in Chicago or via Live Streaming!
6pm CDT Awards Announcement
7-8pm CDT Reception
Watch the program on YouTube Live by clicking here.
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