Canadian composer Sarah Davachi returns to Chicago and presents new work for reed organ, violin, viola da gamba and electronics. Based upon variously displaced melodic movements that were originally developed through a series of improvisations for pipe organ, this piece attempts to balance instances of consonance and dissonance, both in frequency content and physical gesture between its three players.

Renewed Archetypes, Endless Enclosure, Mystical Grid, Transient Monument, Inhabitable Wall, Dysfunctional Plan

Join us for a talk by Fosco Lucarelli, the 2017–18 Douglas A. Garofalo Fellow from the University of Illinois at Chicago (UIC) School of Architecture.

Dysfunctional Plans is a theoretical inquiry based on seven design exercises made in collaboration with a group of Lucarelli’s students. The project’s unwieldy brief provides no a priori function, content, strategy, site, or hypothetical condition apart from the arbitrary definition of seven oxymoronic images.

More an experiment than a manifesto, this talk and accompanying exhibition at UIC questions whether architecture might be a discipline autonomous enough to create its own narrative, content, function, purpose, and imagination—and therefore, meaning—stemming solely from its bare form.

Fosco Lucarelli is an Italian architect and educator based in Paris. He holds a Bachelor and Master of Architecture from the School of Architecture of Rome (Roma Tre) and from the ETSAM in Madrid. With his partner Mariabruna Fabrizi, he co-founded the architectural practice Microcities, and conducts independent research through the website SOCKS. He has taught at the École d'architecture de la ville et des territoires in Marne-La-Vallée in Paris, and at the École Polytechnique Fédérale in Lausanne. Together with M. Fabrizi, Lucarelli was the content-curator for "The Form of Form", the main exhibition at the 2016 Lisbon Architecture Triennale, and he is part of the chief curatorial team for the 2019 Lisbon Triennale.

About the Douglas A. Garofalo Fellowship
Named in honor of architect and educator Doug Garofalo (1958–2011), this nine-month teaching fellowship—supported with a grant from the Graham Foundation—provides emerging designers the opportunity to teach studio and seminar courses in the undergraduate and graduate programs and conduct independent design research. The fellowship also includes a public lecture at the Graham Foundation and an exhibition at the UIC School of Architecture. To learn more about the fellowship, click here.

Please join us for the final performance related to our current exhibition, Brendan Fernandes: The Master and Form featuring dancers from the Joffrey Academy of Dance. The durational performance will activate the installation, designed in collaboration with Norman Kelley.

The Joffrey Academy of Dance, Official School of The Joffrey Ballet, is committed to providing students of all ages, levels and backgrounds who have a desire to dance with a world-class education built on a foundation of classical ballet. With the talents cultivated at the Joffrey Academy, students can pursue careers as professional dancers at companies throughout the world, higher education opportunities in dance, or success in other fields. Through the Joffrey Academy’s programs, students develop a diverse set of skills including artistry, creativity, discipline and confidence, among others. The Joffrey Academy’s high-quality, educational programming forms future audiences and support for the Joffrey and builds the organization’s reputation worldwide.

Image: View of "Brendan Fernandes: The Master and Form." 2018, Graham Foundation, Chicago. Installation in collaboration with Norman Kelley; dancers: Satoru Iwasaki, Yuha Kamoto, Andrea de León Rivera, Antonio Mannino, Leah Upchurch; photo: RCH

THE SEEN and EXPO CHICAGO, in collaboration with the Graham Foundation, present the Chicago Art Critics Forum. Now in its seventh edition, Salon Review convenes a live panel of contemporary critics to discuss exhibitions currently on display in Chicago. Centered around the materiality of experience, Howardena Pindell’s retrospective at the Museum of Contemporary Art Chicago, Mounira Al Solh’s work at the Art Institute of Chicago, the experimental paintings of Sam Gilliam, Alan Shields, and Frank Stella at the Block Museum of Art's Katz Gallery, and the group exhibition Unthought Environments at the Renaissance Society will be discussed. 

Panelists include Elliot Reichert (Newcity), Abigail Winograd (Artforum.com), and Ruslana Lichtzier (THE SEEN). Hosted by Stephanie Cristello, Editor-in-Chief of THE SEEN.

RSVP to theseen@expochicago.com

THE SEEN, Chicago’s International Journal of Contemporary & Modern Art, features in-depth writing on exhibitions, as well as highlight essays, artist profiles, and reviews. Publishing twice a year in print, in addition to monthly online issues, the free, full-color, 150+ page journal is produced in a limited-edition 10,000-count run, and is available for distribution at multiple public locations throughout the city of Chicago, as well as select national and international distribution.

With a network of Staff Writers reporting from around the world, THE SEEN features exclusive pieces and new commissions on the best in international contemporary art. THE SEEN is published by EXPO CHICAGO and led by Editor-in-Chief, Stephanie Cristello. Issue 06 will launch in print April 2018, with exclusive pieces and new commissions on the best in international contemporary art, featuring Brendan Fernandes on the cover to align with his recent exhibition, The Master and Form, at the Graham Foundation.

Free copies of Issues 04 and 05 of THE SEEN will be available for distribution.

Image: Howardena Pindell, Video Drawings: Swimming, 1975. Chromogenic development print; framed: 13 15/16 × 16 1/16 in. (35.4 × 40.8 cm). Collection Museum of Contemporary Art Chicago, Anixter Art Acquisition Fund, 2016.6. Courtesy the artist and Garth Greenan Gallery, New York.

Join us for an evening with Graham grantee FRONT International: Cleveland Triennial for Contemporary Art in anticipation of its inaugural edition, An American City, taking place throughout the summer of 2018 with new work by over 60 artists, six major exhibitions, and site-specific installations around the city of Cleveland and Northeast Ohio.

Artistic Director Michelle Grabner will be in conversation with FRONT participating artists John Riepenhoff, Jennifer Reeder, Anne Wilson, Tony Tasset and Nate Young to discuss how artist projects are shaped within the triennial structure in addition to the ever-changing, politically urgent conditions of An American City.

Michelle Grabner is a celebrated American painter and conceptual artist. Her work has been featured in notable national and international collections. Grabner co-curated the 2015 Whitney Biennial and recently curated the Portland 2016 Biennial. Grabner is the Crown Family Professor of Painting and Drawing at the School of the Art Institute of Chicago. With her husband, Brad Killam, she co-directs the the Suburban in Milwaukee and the Poor Farm in Little Wolf, Wisconsin.

Related Graham Foundation supported projects:
2017 Publication Grant to FRONT Exhibition Company for An American City: Exhibition Catalogue and Guide

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