Andreas Angelidakis, Polemos, 2016.

Image: Andreas Angelidakis, Polemos, 2017, foam and vinyl seating modules, installation view, Fridericianum, Kassel, documenta 14, photo: Nils Klinger

For more information on the exhibition, Brendan Fernandes: The Master and Form Installation in collaboration with Norman Kelley, click here.

View of "Brendan Fernandes: The Master and Form," in development, 2017, Graham Foundation, Chicago. dancer: Leah Upchurch, photo and rendering: Norman Kelley

Please join us for a opening performance and reception with Brendan Fernandes, Norman Kelley, and dancers from the Joffrey Academy of Dance on January 25, 2018 from 6–8:00 p.m.

For more information on the exhibition, Brendan Fernandes: The Master and Form Installation in collaboration with Norman Kelley, click here.

Allan Wexler, Sheathing the Rift, 2014, hand-worked inkjet on panel, 64 x 80 inches

Architect, artist, and designer Allan Wexler discusses his multi-scalar, multi-media work across a 45-year career. Allan reveals a curious, comedic, and analytical mind, offering new strategies for examining and reevaluating basic assumptions about our relationship to the built and natural environments.

Wexler's work mediates the gap between fine and applied art. Sometimes functional—tangible and tactical—sometimes theoretical, his work is often a hybrid of function and theory. In all cases, it demonstrates a commitment to reevaluating basic assumptions about what we thought we knew. Wexler's art can be broadly described as tactile poetry that is composed by reframing the ordinary with intent to sustain a narrative about landscape, nature, and architecture.

The lecture coincides with the publication of Absurd Thinking, Between Art and Design, a new monograph edited by Ashley Simone and published by Lars Müller Publishers with support from the Graham Foundation.

Allan Wexler works in the fields of architecture, design, and fine art. He is represented by the Ronald Feldman Gallery in New York City and has exhibits, teaches, and lectures internationally. Wexler teaches at Parsons School of Design in New York City. Wexler is a recipient of a Guggenheim Fellowship (2016), a Fellow of the American Academy in Rome, and a winner of both a Chrysler Award for Design Innovation, and the Henry J. Leir Prize from the Jewish Museum. He has had numerous national and international solo exhibitions, has lectured on his work internationally, and has been reviewed by major art and architecture publications. The subject of Wexler's work is the built environment. He creates drawings, multimedia objects, images, and installations that alter perceptions of domestic activities. He investigates eating, bathing, sitting, and socializing, and turns these everyday activities into ritual and theater.

Related Graham Foundation supported projects:

2016 Publication Grant to Allan Wexler for Absurd Thinking: Between Art and Design

Photo by Martin Escalante

John Wiese returns to Lampo to perform his new four-channel composition Time Column—a work that the Los Angeles-based artist says “imposes vertical time on horizontal sounds.”

John Wiese (b.1977, Ft. Leavenworth, KS) works primarily in recorded and performed sound with a focus on installation and multi-channel diffusions, as well as scoring for large ensembles. He is a prolific artist with various ongoing projects, including the concrète grindcore band Sissy Spacek, and collaborations with Evan Parker, C. Spencer Yeh, Aaron Dilloway, Kevin Drumm, Lasse Marhaug and others. In 2011 he released his 100th 7-inch record, celebrated with a retrospective exhibit and monograph. Many of these recordings were published on his Helicopter label, and on more than 50 independent labels from around the world. Wiese has toured extensively and has appeared at several leading international festivals.

In May 2012 John Wiese performed three new works for Lampo—a quad diffusion of Magical Crystal Blah, a new version of Battery Instruments, and a concrète improvisation.

Since 2010 the Graham Foundation has supported and partnered with Lampo to produce this performance series held at the Madlener House. Lampo, founded in 1997, is a non-profit organization for experimental music and intermedia projects.

Atelier Markgraph, photograph for cover of Nouveau Plaisirs d’architectures catalog (1984)

Oliver Elser, historian and curator, will present his lecture Models of Postmodernism–Postmodernisms Models. Elser will examine the founding of the Deutsches Architekturmuseum in Frankfurt in 1984. His lecture focuses on German architectural collector and founder Heinrich Klotz, and architect Oswald Mathias Ungers and their collaboration to produce a model museum in a historic villa.

Oliver Elser is a curator at the Deutsches Architekturmuseum (DAM) in Frankfurt, Germany. His practice includes criticism, teaching, and archival based exhibition making. After studying architecture at the Technical University of Berlin, Elser worked in Vienna as an architecture critic and journalist, publishing often in Der Standard, Architectural Digest, and profil. He has taught scenography at the University of Applied Sciences in Mainz and has shown work at the 2013 Venice Biennale in the exhibition Il Palazzo Enciclopedico. Exhibitions that he has curated include: The Architecture Model: Tools, Fetish, Small Utopia, DAM (2012); The 387 Houses of Peter Fritz, Venice Art Biennale (2013); Mission: Postmodern. Heinrich Klotz and the Wunderkammer, DAM (2014); Making Heimat. Germany, Arrival Country, German Pavilion at the Venice Architecture Biennale (2016); and SOS BRUTALISM – Save the Concrete Monsters!, DAM (2017).

This program is presented in partnership with the 2017 Chicago Architecture Biennial.

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