Okkyung Lee and David Behrman will offer a free 1-hour open workshop in conjunction with their LAMPO performance on Saturday, October 27.

During the workshop, Okkyung will discuss how to develop extended instrumental techniques and Behrman will lead discussion around the idea of flexible “scores” or “deceptively simple scores,” taking a look at ways to specify conditions for a music performance, as well as the use of sensing technology and “interaction” in music. The public is invited to bring their acoustic instruments to experiment with his gear. Lampo would like to acknowledge support from New Music USA's MetLife Creative Connections program.

This workshop is presented in partnership with Lampo. Founded in 1997, Lampo is a non-profit organization for experimental music, sound art and intermedia projects.

Related Links
Okkyung Lee and David Behrman LAMPO PERFORMANCE SERIES
http://grahamfoundation.org/public_events/4940-okkyung-lee-and-david-behrman

Richard Pare, Interior Narcomfin Communal House, Moisei Ginzburg and Ignati Milinis, 1930. Photograph Copyright Richard Pare 2007.

The Lost Vanguard: Soviet Modernist Architecture, 1922–32 will open with a public reception on Thursday, October 11, 2012. Please join us for a talk by British photographer Richard Pare at 5:30PM, followed by an opening reception from 6-8PM.

Richard Pare was born in England in 1948 and studied photography and graphic design in Winchester and at Ravensbourne College of Art before moving to the United States in 1971. Pare graduated from the School of the Art Institute of Chicago in 1973. He was curator of the Seagram photography collection from 1974 until 1985 and was the founding curator for the photography collection of the Canadian Centre for Architecture from its inception in 1974 until he became a consultant to the collection in 1989—a role he continues to fulfill. His works have been exhibited widely and he is represented in many of the major public collections of photography. His numerous seminal exhibitions and publications include Court House: A Photographic Document (1978), Photography and Architecture: 1839-1939 (1982), and Tadao Ando: The Colors of Light (1996), which received the AIA monograph award. Recent books include The Lost Vanguard: Architecture of the Russian Avant-garde, 1922-1932, published in 2007, and Building the Revolution, published in 2011. Pare is presently completing a new series of images on the works of Le Corbusier for the Pushkin Museum, Moscow, the first exhibition on the architect in Russia.

For more information on the exhibition, The Lost Vanguard: Soviet Modernist Architecture, 1922–32, click here.

To mark the 50th anniversary of the Fluxus movement, the Graham Foundation is pleased to present The Thousand Symphonies, a seminal work by Fluxus artist Dick Higgins. In 1962, Higgins wrote a series of events called Danger Music, which were designed to alternately put the body of the performer, composer, or audience member at risk. In 1968, he realized one of these pieces by having a New Jersey police officer fire a machine gun at a few hundred sheets of orchestral music paper. An ensemble later played the holes. An act of simultaneous destruction and creation, the gesture emphasized the use of guns for a purpose other than killing Viet Cong and scattering protestors.

Recently, Dennis Rosenthal, the director of Higgins’s estate, arranged with the City of Chicago to have four Chicago Police officers shoot new notation paper. On September 18 at the Graham Foundation, a live orchestra led by Stephen Burns will play the new sheets following the presentation of a short film documenting their creation. The ensemble will borrow the form of Stravinsky's L'histoire du Soldat (The Soldier’s Tale), with instruments from every section of the orchestra, plus electric guitar, which effectively updates the orchestration.

The sheets will be packaged as an edition with the film and a recording by Dennis Rosenthal Fine Art and Galeria Moises Perez de Albeniz.

Special Thanks to the Chicago Police Department and to the Fulcrum Point New Music Project ensemble:
Stephen Burns, artistic director/conductor
Janice Misurell-Mitchell, flute
Lewis Kirk, bassoon
Jim Gailloreto, saxophone
Andy Baker, trombone
Jeff Handley, percussion
Alison Attar, harp
Steve Roberts, electric guitar
Alexander Belavsky, violin
Collins Trier, bass

Please join us for a book launch and quasi-reading with Jimenez Lai to celebrate the publication of his new book Citizens of No Place. A manifesto, the book is an homage to other architects who drew, imagined, and told stories. Citizens of No Place was supported with a grant from the Graham Foundation and was published by Princeton Architectural Press. Lai is creating a customized limited edition of Citizens of No Place for the Graham Foundation, which will be available for purchase at the event. The talk will be followed by a book signing and reception in the Madlener House library.

Jimenez Lai is an assistant professor at the University of Illinois at Chicago and leader of Bureau Spectacular. He graduated with a master's degree in architecture from the University of Toronto. Previously, Lai lived and worked in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Before founding Bureau Spectacular, Lai worked for MOS, AVL, REX, and OMA/Rem Koolhaas in Toronto, Rotterdam, and New York. In the past years, Lai has built numerous installations and has been widely exhibited and published around the world. Draft II of this book has been archived at the New Museum as part of the show Younger Than Jesus. In 2012, Lai was named a winner of the Architectural League Prize for Young Architects.

Renowned architect and former director of the Venice Architecture Biennale, Massimiliano Fuksas will discuss his major public and cultural buildings, including  recently finished and new projects under construction.

Massimiliano Fuksas (born 1944, Lithuania) graduated from La Sapienza University in Rome with a degree in architecture in 1969. He set up his first studio in Rome in 1967, added a second in Paris in 1989, and a third in Shenzhen, China in 2008. From 1998 to 2000 he was director of the VII International Architecture Exhibition in Venice: Less Aesthetics, More Ethics. Fuksas has been a visiting professor at several universities, including the École Spéciale d’Architecture in Paris, the Akademie der Bildenden Kunste in Vienna, the Staadtliche Akademie des Bildenden Kunste in Stoccarda, and Columbia University in New York. He is the author of the architectural column founded by Bruno Zevi in the weekly magazine L’Espresso. Fuksas currently lives and works in Rome and Paris.

This event is co-presented by the Graham Foundation and the Italian Cultural Institute of Chicago.

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